Geografías en movimiento is the result of Eduardo Palomares’ most recent aesthetic proposal, which, equipped with a genuine experimental will, fosters artistic integration, collective creation and multidisciplinary participation in order to promote the development and a mise-en-scène of a plural, multiple and integral experience. These circumstances derive from the spirit stamped by Palomares —motivated by a vocation for social inclusion— to the artist residency that has given rise to the exhibition, incorporating workshops of plastic, poetic and sound creation, whose product adds to his own work. But it also encourages the interaction between different media, the blurring of the barriers between languages and the redimension of the relationships between art, craft and design. All this puts the focus —from a deeply poetic and allegorical perspective— on a pressing issue of our time, linked to ecology and the preservation of the environment and natural resources.

The conceptual plot of his exhibition revolves around the imaginary representation of the landscape, both terrestrial and marine, through the development of ceramic pieces endowed with a singular organicity, suggesting plantal or coral formations, and whose placement in space implicitly carries a complex network of meanings and contents. These could be related to a symbolic allusion —like the one made by the Flemish baroque painters— to a part of the senses (manifested in the inclusion in his proposals of aromatic, auditive, visual and material stimuli); or in his representation of the four elements —with emphasis on earth and water—, as a way of understanding the world and the interaction between its different components, sustained in the principle of continuous transmutation.